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PLUMDINGER STUDIO






The Making of The Argentera and The Tales of the Six Arabesques
I love real books for their feel, their textures, their substantiality. I think I absorb their stories not only by reading them, but also by their feel in my hands, a feeling I can’t really explain, but which has been with me since my childhood. And I love writing. I'm grateful that my publisher, Green Fire Press, loves that I love writing! I began writing The Argentera and the Tales of the Six Arabesques with the desire to write about a six-hundred-year-old journal of jewelr


You Forgot We Were Seeds; The Making of a Neckpiece
Title: You Tried to Bury Us; You Forgot We Were Seeds Form: Neckpiece Materials: Fine and Sterling Silver, 18k Gold, dendritic agate,...
Magnetic Finishers and Their Variables
Magnetic Finishers And Their Variables I always use a magnetic finisher to burnish my pieces right out of the kiln, whether I’m planning...


Grooving on Metal Clay and Enameling
My Class “Grooving on Metal Clay & Enamels” at The Enamelist Society Conference “Alchemy6”, at Arrowmont School of Arts and Crafts...
Reflections on the Continuing Process of Getting Older and Making My Work
I have always felt that when I sit down at the bench, there would never be a time when I did not know what I would be making. I would...


Expectations Managed
There have been times during my work as a studio jeweler when I have sadly felt that my 'voice' was going unheard, when my pieces were...
Everything Old is New Today!
So, since I have finally learned to use this Blog (think old dog learning new tricks), I thought it might be a good idea to add to to it...
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